{"id":5050,"date":"2021-09-20T09:31:45","date_gmt":"2021-09-20T08:31:45","guid":{"rendered":"https:\/\/efilatelija.posta.rs\/?page_id=5050"},"modified":"2021-10-11T13:08:47","modified_gmt":"2021-10-11T12:08:47","slug":"581ck-63770nse-b2750d","status":"publish","type":"page","link":"https:\/\/efilatelija.posta.rs\/en\/581ck-63770nse-b2750d\/","title":{"rendered":"The 60<sup>th<\/sup> anniversary of the First Conference of the Non-Aligned Movement \u2013 Belgrade 1961"},"content":{"rendered":"<p>The first digital expanded issue of commemorative postage stamps of the Post of Serbia contains digital materials, presented on this page, which the Post of Serbia in cooperation with the Museum of Yugoslavia makes available to those who activate QR code from the sheetlet of commemorative postage stamps \u201d60 years since the First Conference of the Non-Aligned Movement \u2013 Belgrade, 1961\u201d.<\/p>\n\n\n\n<p>The page currently contains photographs of exhibits from the exhibition \u201dPrometheus of the New Century\u201d of the Museum of Yugoslavia, and after the closing of the exhibition, the exhibits that receive the most votes of visitors, in a specially organized vote in the Museum's exhibition space, will be digitalized and digital copies will be permanently available on this page.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Scale model of the Taj Mahal<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/01_1-7-80-1.jpg\"><img decoding=\"async\" src=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/01_1-7-80-1.jpg\" alt=\"\" data-id=\"5530\" data-full-url=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/01_1-7-80-1.jpg\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/01_1-7-80-1\/\" class=\"wp-image-5530\"\/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/01_1-7-80-2.jpg\"><img decoding=\"async\" src=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/01_1-7-80-2.jpg\" alt=\"\" data-id=\"5538\" data-full-url=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/01_1-7-80-2.jpg\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/01_1-7-80-2\/\" class=\"wp-image-5538\"\/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/01_1-7-80-3.jpg\"><img decoding=\"async\" src=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/01_1-7-80-3.jpg\" alt=\"\" data-id=\"5539\" data-full-url=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/01_1-7-80-3.jpg\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/01_1-7-80-3\/\" class=\"wp-image-5539\"\/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">Bansal Marble Emporium, Johri Bazar, Agra, India, mid-20<sup>th<\/sup> century<br>\nGift of the Governor of the State of Uttar Pradesh K.M. Munshi to Josip Broz Tito during his visit to Agra, December 29, 1954<br>\nAlabaster, 48,5 \u00d7 48,5 \u00d7 48,5 cm<br>\nInv. No. 1-7-80<\/p>\n\n\n\n<p>The Mughal Empire, which at the peak of its power extended over the territory of today\u2019s India, Bangladesh, Pakistan, and Afghanistan, is today mostly known for the Taj Mahal Mausoleum. It is located near the city of Agra, the first Mughal capital, which Shah Jahan designated as the grave of his favourite wife, prematurely deceased Mumtaz Mahal. The construction of the mausoleum began in 1632, and was completed in 1653. When Jahan died, he was buried next to his wife in the mausoleum, now considered one of the architectural wonders of the world. This Mughal-period pearl of Muslim architecture is the most visited monument in India and is the most visited tomb in the world.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Fighting Bulls<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped columns-3 wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/02_1-7-81_07.jpg\"><img decoding=\"async\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/02_1-7-81_07.jpg\" alt=\"\" data-id=\"5544\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/02_1-7-81_07\/\" class=\"wp-image-5544\"\/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/02_1-7-81_05.jpg\"><img decoding=\"async\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/02_1-7-81_05.jpg\" alt=\"\" data-id=\"5543\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/02_1-7-81_05\/\" class=\"wp-image-5543\"\/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">Gift of the Government of the Indian State of Madhya Bharat to Josip Broz Tito during his visit to Gwalior, December 27, 1954<br>\nWood, leather, 36 \u00d7 66 \u00d7 23 cm<br>\nInv. No. 1-7-81<\/p>\n\n\n\n<p>At the time of declaration of independence in 1947, India was a mosaic of different administrative territories. Among them, over 550 princely states stood out, in which local rulers had complete power. In order to win them over and incorporate them into the newly established state, the Indian authorities appointed them governors of newly formed administrative units. One such unit was Madhya Bharat in central India, made up of 25 smaller princely sub-states; Jivajirao Scindia, the Maharaja of Gwalior, was appointed governor.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Scale model of the Bhakra Dam<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped columns-3 wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/03_1-5-468-2.jpg\"><img decoding=\"async\" src=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/03_1-5-468-2.jpg\" alt=\"\" data-id=\"5568\" data-full-url=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/03_1-5-468-2.jpg\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/03_1-5-468-2\/\" class=\"wp-image-5568\"\/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/03_1-5-468-1.jpg\"><img decoding=\"async\" src=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/03_1-5-468-1.jpg\" alt=\"\" data-id=\"5567\" data-full-url=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/03_1-5-468-1.jpg\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/03_1-5-468-1\/\" class=\"wp-image-5567\"\/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">India, mid-20<sup>th<\/sup> century<br>\nGift to Josip Broz Tito during a visit to the construction site of the Bhakra-Nangal Dam and hydro-power plant system on December 23, 1954<br>\nWood, plastic, metal, 30,5 \u00d7 36 \u00d7 18,5 cm<br>\nInv. No. 1-5-468<\/p>\n\n\n\n<p>Bhakra is a 226-meter-high concrete gravity dam, one of the tallest structures of its kind in the world. It is located on the Sutlej River in northern India, and is part of a system of dams and hydroelectric power plants that supply electricity and water to the northern Indian states: about 1\/10 of Indian territory. The construction of the Bhakra dam began in 1948, soon after India gained independence, and the entire system was completed in 1963. Nehru called the Bhakra dam \u2018the temple of reborn India\u2019.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Scale model of a screen<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/04_1-7-82.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/04_1-7-82.jpg\" alt=\"\" class=\"wp-image-5617\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/04_1-7-82.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/04_1-7-82-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/04_1-7-82-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">India, mid-20<sup>th<\/sup> century<br>\nGift of the citizens of New Delhi to Josip Broz Tito, New Delhi December 19, 1954<br>\nIvory, 43 \u00d7 53 cm<br>\nInv. No. 1-7-82<\/p>\n\n\n\n<p>The ivory screen model was given as a gift to Broz when he was declared an honorary citizen of New Delhi. The ceremony took place in the Red Fort, one of the jewels of Mughal architecture, which, along with the Taj Mahal, was built by order of the ruler Shah Jahan. This locality has a distinct symbolic significance for modern India, since Jawaharlal Nehru raised the new flag here, which marked the beginning of Indian independence on August 15, 1947.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Table lamp<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/05_1-7-83.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1200\" src=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/05_1-7-83.jpg\" alt=\"\" class=\"wp-image-5623\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/05_1-7-83.jpg 801w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/05_1-7-83-324x485.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/05_1-7-83-416x623.jpg 416w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">India, mid-20<sup>th<\/sup> century<br>\nGift of the Government of the Indian state of Uttar Pradesh to Josip Broz Tito during his visit to India, Lucknow, December 30, 1954<br>\nIvory, 30 \u00d7 12 \u00d7 12 cm<br>\nInv. No. 1-7-83<\/p>\n\n\n\n<p>Ivory has been used to make a variety of objects for everyday use, as well as for the production of decorative and artistic objects, since prehistoric times, and has always been considered a very luxurious and expensive material; it was believed to be the only everlasting material of organic origin. African ivory is used in India because Asian elephant tusks do not have as fine a texture and are smaller in size; Asian ivory yellows over time, and is not as easy to polish. In India, ivory is softened by wrapping it in damp cloth to make it easier to carve. A lathe has often been used in this work since the middle of the 20<sup>th<\/sup> century.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Scale model of a HT-2 two-seat primary trainer<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/06_1-5-374.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/06_1-5-374.jpg\" alt=\"\" class=\"wp-image-5626\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/06_1-5-374.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/06_1-5-374-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/06_1-5-374-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">Bangalore, India, mid-20<sup>th<\/sup> century<br>\nA gift from the Hindustan Aircraft Limited (now Hindustan Aeronautics Limited) workers during a visit to the factory on January 22, 1955<br>\nWood, metal, 30 \u00d7 39 \u00d7 34 cm<br>\nInv. No. 1-5-374<\/p>\n\n\n\n<p>The Hindustan Aircraft Limited factory was founded in 1940 as an aircraft repair shop. In the period after India gained independence, it grew into the largest aircraft factory in India, and the HT-2 was the first aircraft fully manufactured in this factory. Branko Ivanu\u0161, a Yugoslav pilot accompanied by Broz, tested the HT-2 and compared it to the Aero-2 produced in the Yugoslav Ikarus factory. Experienced military pilot Ivanu\u0161 described the HT-2 as \u201csuitable for training, durable in acrobatic exercises, and with up-to-date equipment.\u201d<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Scale model of a locomotive<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped columns-3 wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/07_1-5-462-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/07_1-5-462-1.jpg\" alt=\"\" data-id=\"5632\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/07_1-5-462-1\/\" class=\"wp-image-5632\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/07_1-5-462-1.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/07_1-5-462-1-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/07_1-5-462-1-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/07_1-5-462-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/07_1-5-462-2.jpg\" alt=\"\" data-id=\"5633\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/07_1-5-462-2\/\" class=\"wp-image-5633\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/07_1-5-462-2.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/07_1-5-462-2-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/07_1-5-462-2-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">Chittaranjan, India, mid-20<sup>th<\/sup> century<br>\nGift of the Chittaranjan Locomotive Works workers during the visit to the factory, January 3, 1955<br>\nWood, metal, glass, 28,5 \u00d7 19 \u00d7 17,5 cm<br>\nInv. No. 1-5-462<\/p>\n\n\n\n<p>A visit to Chittaranjan Locomotive Works was the last point on Broz\u2019s eighteen-day visit to India. The factory, founded in 1950, was India\u2019s largest builder of steam locomotives.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Lakshmi<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped columns-3 wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/09_1-7-84-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1200\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/09_1-7-84-1.jpg\" alt=\"\" data-id=\"5635\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/09_1-7-84-1\/\" class=\"wp-image-5635\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/09_1-7-84-1.jpg 801w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/09_1-7-84-1-324x485.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/09_1-7-84-1-416x623.jpg 416w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/09_1-7-84-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1200\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/09_1-7-84-2.jpg\" alt=\"\" data-id=\"5636\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/09_1-7-84-2\/\" class=\"wp-image-5636\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/09_1-7-84-2.jpg 801w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/09_1-7-84-2-324x485.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/09_1-7-84-2-416x623.jpg 416w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">India, second half of the 20<sup>th<\/sup> century<br>\nGift to Jovanka Broz at the exhibition of folk handicrafts in New Delhi, 1971<br>\nIvory, 23 \u00d7 8 \u00d7 4,8 cm<br>\nInv. No. 1-7-84<\/p>\n\n\n\n<p>Lakshmi is the goddess of wealth and prosperity: the goal of life, both material and spiritual.<\/p>\n\n\n\n<p>She is closely associated with the lotus on which she stands, a flower that grows from the mud and blooms on the surface of the water, symbolically representing birth in the material world, overcoming of this material world, and final realization in the spiritual realm. Devotees offer sacrifices to her in every store, and in every house.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Parvati<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped columns-3 wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/10_1-7-85-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1200\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/10_1-7-85-1.jpg\" alt=\"\" data-id=\"5637\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/10_1-7-85-1\/\" class=\"wp-image-5637\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/10_1-7-85-1.jpg 801w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/10_1-7-85-1-324x485.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/10_1-7-85-1-416x623.jpg 416w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/10_1-7-85-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1200\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/10_1-7-85-2.jpg\" alt=\"\" data-id=\"5638\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/10_1-7-85-2\/\" class=\"wp-image-5638\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/10_1-7-85-2.jpg 801w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/10_1-7-85-2-324x485.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/10_1-7-85-2-416x623.jpg 416w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">India, second half of the 20<sup>th<\/sup> century<br>\nGift to Josip Broz Tito at the exhibition of folk handicrafts in New Delhi, 1971.<br>\nIvory, 28,5 \u00d7 10,5 \u00d7 7 cm<br>\nInv. No. 1-7-85<\/p>\n\n\n\n<p>Parvati is one of the aspects of the great goddess Devi, the mother of everything and one of the wives of the god Shiva. She is a daughter of the Himalayas and mother of the god Ganesha.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Buddha in deep meditation under the Bodhi wisdom-tree<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-3 is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-1-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1200\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-1-1.jpg\" alt=\"\" data-id=\"5640\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/11_1-7-86-1-1\/\" class=\"wp-image-5640\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-1-1.jpg 801w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-1-1-324x485.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-1-1-416x623.jpg 416w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-2-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-2-1.jpg\" alt=\"\" data-id=\"5642\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/11_1-7-86-2-1\/\" class=\"wp-image-5642\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-2-1.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-2-1-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-2-1-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-3-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1200\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-3-1.jpg\" alt=\"\" data-id=\"5644\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/11_1-7-86-3-1\/\" class=\"wp-image-5644\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-3-1.jpg 801w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-3-1-324x485.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/11_1-7-86-3-1-416x623.jpg 416w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">New Delhi, India, second half of the 20<sup>th<\/sup> century<br>\nGift of the Yugoslav personnel in New Delhi to Josip Broz Tito and Jovanka Broz during a visit to India, 1971.<br>\nIvory, 28 \u00d7 16,5 \u00d7 13,5 cm<br>\nInv. No. 1-7-86<\/p>\n\n\n\n<p>The Buddha was a monk, sage, philosopher and religious leader on whose teachings Buddhism, one of the five largest religions in the world, is based. It is believed that he lived and worked mainly in the northeast of ancient India in the period between the sixth and fourth centuries BC. The Buddhist art of India developed under the strong influence of Hellenism, Rome and Roman styles, so it is assumed that the Buddha figure was created at that time as a result of the influence of Hellenistic art (especially Apollo\u2019s figure) on autochthonous elements.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Ganesha<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-3 is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-1.jpg\" alt=\"\" data-id=\"5645\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/12_1-7-87-1\/\" class=\"wp-image-5645\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-1.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-1-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-1-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-2.jpg\" alt=\"\" data-id=\"5646\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/12_1-7-87-2\/\" class=\"wp-image-5646\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-2.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-2-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-2-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-3.jpg\" alt=\"\" data-id=\"5647\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/12_1-7-87-3\/\" class=\"wp-image-5647\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-3.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-3-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/12_1-7-87-3-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">Kerala, South India, first half of the 20<sup>th<\/sup> century<br>\nIvory,13 \u00d7 28 \u00d7 11 cm<br>\nInv. No. 1-7-87<\/p>\n\n\n\n<p>Ganesha\u2019s large bulging belly is the embodiment of his lustful yet graceful nature. Ganesha is an extremely popular deity invoked when one starts new ventures. He is considered the patron of every type of business, and entrepreneurs organize rituals in his honour.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Ganesha<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped columns-3 wp-block-gallery-9 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/13_1-7-88-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1200\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/13_1-7-88-1.jpg\" alt=\"\" data-id=\"5649\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/13_1-7-88-1\/\" class=\"wp-image-5649\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/13_1-7-88-1.jpg 801w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/13_1-7-88-1-324x485.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/13_1-7-88-1-416x623.jpg 416w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/13_1-7-88-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1200\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/13_1-7-88-2.jpg\" alt=\"\" data-id=\"5651\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/13_1-7-88-2\/\" class=\"wp-image-5651\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/13_1-7-88-2.jpg 801w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/13_1-7-88-2-324x485.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/13_1-7-88-2-416x623.jpg 416w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">Kerala, South India, first half of the 20<sup>th<\/sup> century<br>\nIvory, 20,5 \u00d7 14 \u00d7 7,5 cm<br>\nInv. No. 1-7-88<\/p>\n\n\n\n<p>Ganesha is the god of wisdom; he has the head of an elephant and the body of a boy, and he rides on a mouse\u2019s back. He is responsible for removing obstacles that stand in the way of enlightenment, and he brings people success.<\/p>\n\n\n\n<p>The Ganesha sculptures carved in these positions were located on the outer walls of temples, and were the first thing visitors encountered on entering.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Shiva Nataraja (\u201cLord of the Dance\u201d)<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped columns-3 wp-block-gallery-10 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/14_1-3-833-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/14_1-3-833-1.jpg\" alt=\"\" data-id=\"5628\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/14_1-3-833-1\/\" class=\"wp-image-5628\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/14_1-3-833-1.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/14_1-3-833-1-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/14_1-3-833-1-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/14_1-3-833-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/14_1-3-833-2.jpg\" alt=\"\" data-id=\"5630\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/14_1-3-833-2\/\" class=\"wp-image-5630\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/14_1-3-833-2.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/14_1-3-833-2-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/14_1-3-833-2-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">Gift of the Government of the State of Madras to Josip Broz Tito during his visit to India, 1959<br>\nMetal, 65 \u00d7 51 \u00d7 25 cm<br>\nInv. No. 1-3-833<\/p>\n\n\n\n<p>In Hinduism, as in Christianity, there is the idea of a trinity of the highest. This triumvirate of gods consists of Brahma, Vishnu and Shiva, the supreme deities who control the infinite cycles of time and initiate creation and destruction. In this conception, Shiva, whose dance controls the movement of the entire universe, is a destroyer, but not necessarily considered bad, as without destruction there can be no re-creation.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Dessert Dishes<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-3 is-cropped wp-block-gallery-11 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-1.jpg\" alt=\"\" data-id=\"5652\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/15_1-7-90-1\/\" class=\"wp-image-5652\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-1.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-1-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-1-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-2.jpg\" alt=\"\" data-id=\"5653\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/15_1-7-90-2\/\" class=\"wp-image-5653\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-2.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-2-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-2-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-3.jpg\" alt=\"\" data-id=\"5654\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/15_1-7-90-3\/\" class=\"wp-image-5654\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-3.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-3-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-3-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-4.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-4.jpg\" alt=\"\" data-id=\"5655\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/15_1-7-90-4\/\" class=\"wp-image-5655\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-4.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-4-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/15_1-7-90-4-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">Tanjore (Thanjavur), India, circa 1950<br>\nGiven as gift to Josip Broz Tito during his visit to India, Madras, 1959<br>\nBrass, copper, silver<br>\nDiameter of large dishes 15,5 cm, height 8,5 cm; diameter of the dish with the lid 8 cm, height 9,5 cm<br>\nInv. No. 1-7-90 (k. 1-3)<\/p>\n\n\n\n<p>The dishes belong to a category of Swami-made decorative objects, characteristic of the southern part of India, centred in Tanjore. All three dishes depict the deities of the Hindu pantheon. The dish with a lid depicting the god Ganesha has eight medallions on the central frieze, with alternating depictions of the goddess of art teaching Saraswati with a swan, and Venugopala Krishna playing the flute at the celebration of cow-girls; the other two dishes depict Krishna, avatar (earthly form) of the god Vishnu in eleven medallions on the central frieze.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Box and Tray<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/16_1-7-89-k.1-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/16_1-7-89-k.1-2.jpg\" alt=\"\" class=\"wp-image-5657\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/16_1-7-89-k.1-2.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/16_1-7-89-k.1-2-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/16_1-7-89-k.1-2-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">A gift from the Association of Indo-Yugoslav Friendship to Josip Broz Tito<br>\nWood<br>\nBox: 9 \u00d7 28 \u00d7 19 cm; lid: 47 \u00d7 28 cm<br>\nInv. No. 1-7-89 (k. 1-2)<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Cigar Box<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/17_1-7-79.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"http:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/17_1-7-79.jpg\" alt=\"\" class=\"wp-image-5659\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/17_1-7-79.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/17_1-7-79-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/17_1-7-79-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">Gift of the Yugoslav Club to Josip Broz Tito during his visit to India, New Delhi, January 28, 1974<br>\nMetal, silver, 18 \u00d7 12 \u00d7 5 cm<br>\nInv. No. 1-7-79<\/p>\n\n\n\n<p>There were a dozen informal Indo-Yugoslav associations that were formed without the initiative of the Yugoslav embassy, but the embassy maintained regular ties with them, supplying propaganda materials and organizing public cultural events. Through the embassy, the associations regularly sent gifts on public holidays.<strong><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Jewellery Box<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped columns-3 wp-block-gallery-12 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/18_1-3-834-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/18_1-3-834-1.jpg\" alt=\"\" data-id=\"5668\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/18_1-3-834-1\/\" class=\"wp-image-5668\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/18_1-3-834-1.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/18_1-3-834-1-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/18_1-3-834-1-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/18_1-3-834-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/18_1-3-834-2.jpg\" alt=\"\" data-id=\"5669\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/18_1-3-834-2\/\" class=\"wp-image-5669\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/18_1-3-834-2.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/18_1-3-834-2-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/18_1-3-834-2-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">Gift of the interracial married couple Nada and Veda Ahuja from India to Josip Broz Tito for his 85th birthday, 1977. <br>\nWood, 22 \u00d7 22 \u00d7 10 cm<br>\nInv. No. 1-3-834<\/p>\n\n\n\n<p>There is a birthday card with the image of Gandhi and the text in the box:<\/p>\n\n\n\n<p class=\"translation-block\">Our dear comrade Tito,<br>\nWe are proud and happy<br>\nThat we can wish you<br>\nHappy 85<sup>th<\/sup> birthday,<br>\nAnd send our best wishes<br>\nFor your long life and good health,<br>\nWith the warmest compliments<br>\nOn the occasion of the 40th anniversary of your arrival<br>\nAt the head of our Party.<br>\nWith much love and respect,<br>\nIndo-Yugoslav family<br>\nNada and Ved Ahuja with children:<br>\nKamal, Renato and little Nandi<br>\nWe greet you warmly<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Tea Box<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped columns-3 wp-block-gallery-13 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/19_1-7-91-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/19_1-7-91-1.jpg\" alt=\"\" data-id=\"5670\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/19_1-7-91-1\/\" class=\"wp-image-5670\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/19_1-7-91-1.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/19_1-7-91-1-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/19_1-7-91-1-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/19_1-7-91-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/19_1-7-91-2.jpg\" alt=\"\" data-id=\"5671\" data-link=\"https:\/\/efilatelija.posta.rs\/581ck-63770nse-b2750d\/19_1-7-91-2\/\" class=\"wp-image-5671\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/19_1-7-91-2.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/19_1-7-91-2-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/19_1-7-91-2-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\">Wood, 45,5 \u00d7 28,5 \u00d7 21 cm<br>\nInv. No. 1-7-91<\/p>\n\n\n\n<p>The box, in the form of a chest with a key, depicts elephants in its central frieze and features floral motifs. It contains two booklets with recipes for serving Indian tea, which was probably part of the set. We can see this box in a photo taken at the Indian National Exhibition held at the Belgrade Fair in 1965, when it was probably given as a gift to Josip Broz Tito.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Vidya Bhushan<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/20_1-2-136.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/20_1-2-136.jpg\" alt=\"\" class=\"wp-image-5672\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/20_1-2-136.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/20_1-2-136-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/20_1-2-136-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\"><em>Flying Bodhisattva<\/em> (replica of a fresco from Ajanta), 1959<br>\nGift of the author to Josip Broz Tito<br>\nOil painting on cardboard lined with paper on a board, 90 \u00d7 106 cm<br>\nSigned in the lower right corner: \u0412 V. Bhushan 59 INDIA<br>\nInv. No. 1-2-136<\/p>\n\n\n\n<p>This painting, with images of Indra and Apsara, is a replica of the fresco in cave XVII from Ajanta. Ajanta is a complex of 29 cave temples, in which are preserved the largest gallery of paintings from the ancient period, and the most beautiful Buddhist frescoes in India.<\/p>\n\n\n\n<p>The author resided in Yugoslavia during 1954\/55 as a scholarship holder of the Yugoslav Government; he applied as the head of the Painting Department of the State Art School in Hyderabad. He studied fresco painting with Milo Milunovi\u0107 in the State Master Workshop.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Animesh Nandi<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/21_1-2-481.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/21_1-2-481.jpg\" alt=\"\" class=\"wp-image-5673\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/21_1-2-481.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/21_1-2-481-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/21_1-2-481-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\"><em>I - India<\/em>, 1962<br>\nGift of the author to Josip Broz Tito, 1970<br>\nUlje na platnu, 88 \u00d7 182 cm<br>\nSigned in the lower left corner: N. Animesh 62<br>\nInv. No. 1-2-481<\/p>\n\n\n\n<p>The author graduated in 1961 in Calcutta and was in Yugoslavia between 1965-1968 as a scholarship holder of the Federal Commission for Cultural Relations with Foreign Countries. He received his master\u2019s degree from the Faculty of Fine Arts in Belgrade in 1967, and exhibited twice at the ULUS; he became a member of the ULUS in 1972, and worked as a freelance artist in Yugoslavia in the period 1969-1982.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Gulam Jelani<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/22_1-2-737.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1200\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/22_1-2-737.jpg\" alt=\"\" class=\"wp-image-5674\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/22_1-2-737.jpg 801w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/22_1-2-737-324x485.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/22_1-2-737-416x623.jpg 416w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\"><em>Maya, Buddha\u2019s mother<\/em>, 1959<br>\nGift of the author to Josip Broz Tito during his visit to India, Hyderabad, 1959<br>\nRelief in plaster, 46 \u00d7 31 cm<br>\nSigned in the lower left corner: G. Jelani<br>\nInv. No. 1-2-737<\/p>\n\n\n\n<p>The author came to Yugoslavia as the head of the Sculpture Department of the State Art School in Hyderabad, and worked as a scholarship holder of the Yugoslav Government during 1954\/55 in the State Master Workshop of Fran Kr\u0161ini\u0107 in Zagreb. His work was assessed as \u201cworthless\u201d by Frano Kr\u0161ini\u0107, in whose master workshop Jelani worked; in Kr\u0161ini\u0107\u2019s opinion, Jelani could have passed neither the entrance exam nor a first year exam of any Academy of Fine Arts in Yugoslavia.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Gangadhar Balkrishna Wad<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/23_1-2-176.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/23_1-2-176.jpg\" alt=\"\" class=\"wp-image-5675\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/23_1-2-176.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/23_1-2-176-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/23_1-2-176-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\"><em>Mother Coexistence<\/em><br>\nAuthor\u2019s gift to Josip Broz Tito as a small token of gratitude to the main builder of the Belgrade Conference, 1962<br>\nTempera on cardboard, 33 \u00d7 70 cm<br>\nSigned in the lower right corner: Gangadhar Balkrishna Wad<br>\nInv. No. 1-2-176<\/p>\n\n\n\n<p>The painting depicts Mother Earth feeding a black and white child with equal love, while the abstract elements around her represent the diversity of numerous nations and states. It was exhibited in a solo exhibition that Wad opened a month earlier in the Gallery of the Cultural Centre of Belgrade after a fifteen-month stay in Yugoslavia, a period during which he studied fresco painting in monasteries as a scholarship holder of the Yugoslav government.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Petar Lubarda<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/24_1-2-632.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/24_1-2-632.jpg\" alt=\"\" class=\"wp-image-5676\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/24_1-2-632.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/24_1-2-632-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/24_1-2-632-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\"><em>The Awakening of Africa<\/em>, 1956-1959<br>\nGift of the People\u2019s Committee of the Municipality of Ivangrad to Josip Broz Tito, 1959<br>\nOil on canvas, 114 \u00d7 146 cm<br>\nSigned in the upper right corner: Lubarda<br>\nOn the back, top: Awakening of Africa, painting started in 1956 - finished in 1959<br>\nInv. No. 1-2-632<\/p>\n\n\n\n<p>The painting was exhibited at the exhibition of paintings by Petar Lubarda in the Cultural Centre of Belgrade, which opened a new exhibition space in the House of the Press before the First Conference of the Non-Aligned in 1961, as a \u2018showcase\u2019 cultural event along with the founding conference that clearly speaks of Lubarda\u2019s role in cultural policy.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Petar Lubarda<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/25_1-2-633.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"801\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/25_1-2-633.jpg\" alt=\"\" class=\"wp-image-5677\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/25_1-2-633.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/25_1-2-633-324x216.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/25_1-2-633-416x278.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\"><em>Prometheus<\/em>, 1967<br>\nGift of Montenegrin working collectives to Josip Broz Tito for his 75th birthday, 1967<br>\nOil on canvas, 70,5 \u00d7 202 cm<br>\nSigned in the upper right corner: Lubarda 1967.<br>\nInv. No. 1-2-633<\/p>\n\n\n\n<p>Petar Lubarda stayed in India in 1963 at the invitation of the Commission for Cultural Relations with Foreign Countries, and was among the first European artists to exhibit in India. For him, the visit to India was cathartic and under the influence of the discovery of another world, Lubarda\u2019s art changed once again through a return to primitive, basic, matter: water and fire.<\/p>\n\n\n\n<p>The character of Prometheus is one of the strongest characters of Greek mythology, because he represents the embodiment of courage, pride and defiance, great philanthropy, and the pursuit of freedom. Even today, he is a symbol of the struggle for progress and happiness of mankind.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Petar Lubarda<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/26_KLPL-9.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"941\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/26_KLPL-9.jpg\" alt=\"\" class=\"wp-image-5678\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/26_KLPL-9.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/26_KLPL-9-324x254.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/26_KLPL-9-416x326.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\"><em>Taurus and the Cloud (India)<\/em>, (1963)<br>\nThe Heritage House, Belgrade<br>\nNitrocellulose varnish on hardboard, 205,5 \u00d7 161,5 cm<br>\nSigned in the upper right corner: Lubarda; lower left corner: <em>Taurus and the Cloud<\/em><br>\nOn the back, top left: Lubarda 1963 Vera; top right Taurus and the Cloud size 162 \u00d7 208; bottom right: type of work varnish technique<br>\nInv. No. KL PL 9<\/p>\n\n\n\n<p>After a multimonth stay in India in 1963, under the influence of a new world and a different culture, Lubarda\u2019s art experienced its last change. India brought a new inspiration in which a distant and unknown world returned the artist to primordial originality, myth, fairy tales and a new idea of eternity. Under the influence of such mythology, the artist created an unusual world of winged animals and beasts whose true meaning is sometimes difficult to explain. The themes he turned to are suitable for the classic Lubardian feature of constantly disappearing and re-returning to the subject. The artist started using synthetic binders and nitro varnishes in his work, the colour is shiny, sharp, industrial and it bleeds, whereas the depth of the painting is usually reduced to one flat surface.<\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Petar Lubarda<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/27_KLPL-23.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"595\" src=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/27_KLPL-23.jpg\" alt=\"\" class=\"wp-image-5679\" srcset=\"https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/27_KLPL-23.jpg 1200w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/27_KLPL-23-324x161.jpg 324w, https:\/\/efilatelija.posta.rs\/wp-content\/uploads\/2021\/10\/27_KLPL-23-416x206.jpg 416w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-background translation-block\" style=\"background-color:#f6f6f6\"><em>The Man and the Beasts<\/em>, (1964)<br>\nThe Heritage House, Belgrade<br>\nOil on canvas, 200 \u00d7 400 cm <br>\nSigned in the upper left corner:  LUBARDA<br>\nInv. No. KL PL 23<\/p>\n\n\n\n<p class=\"translation-block\">The monumental painting <em>The Man and the Beasts<\/em> is a metaphorical depiction of the city of Belgrade, according to Lubarda\u2019s wife Vera. The three-headed beast is opposed by the heroic figure of a mounted warrior with sword and shield; using deep layers of \u2018lipstick red\u2019 and black, the artist abolishes clear lines and in their place develops the contour and space of the painting. The story of this painting is the story of Petar Lubarda and Belgrade, about which the artist said, \u201cfor me, Belgrade is not just a city \u2013 it is a man, warm, fraternal, hospitable...\u201d The painting carries a universal meaning of the constant human struggle to, as the artist himself said, overcome darkness and the striving to illuminate it.<\/p>","protected":false},"excerpt":{"rendered":"<p>\u041f\u0440\u0432\u043e \u0434\u0438\u0433\u0438\u0442\u0430\u043b\u043d\u043e \u043f\u0440\u043e\u0448\u0438\u0440\u0435\u043d\u043e \u0438\u0437\u0434\u0430\u045a\u0435 \u043f\u0440\u0438\u0433\u043e\u0434\u043d\u0438\u0445 \u043f\u043e\u0448\u0442\u0430\u043d\u0441\u043a\u0438\u0445 \u043c\u0430\u0440\u0430\u043a\u0430 \u041f\u043e\u0448\u0442\u0435 \u0421\u0440\u0431\u0438\u0458\u0435 \u0441\u0430\u0434\u0440\u0436\u0438 \u0434\u0438\u0433\u0438\u0442\u0430\u043b\u043d\u0435 \u043c\u0430\u0442\u0435\u0440\u0438\u0458\u0430\u043b\u0435, \u043f\u0440\u0435\u0437\u0435\u043d\u0442\u043e\u0432\u0430\u043d\u0435 \u043d\u0430 \u043e\u0432\u043e\u0458 \u0441\u0442\u0440\u0430\u043d\u0438\u0446\u0438, \u043a\u043e\u0458\u0435 \u041f\u043e\u0448\u0442\u0430 \u0421\u0440\u0431\u0438\u0458\u0435 \u0443 \u0441\u0430\u0440\u0430\u0434\u045a\u0438 \u0441\u0430 \u041c\u0443\u0437\u0435\u0458\u043e\u043c \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0435 \u0447\u0438\u043d\u0438 \u0434\u043e\u0441\u0442\u0443\u043f\u043d\u0438\u043c \u043e\u043d\u0438\u043c\u0430 \u043a\u043e\u0458\u0438 \u0430\u043a\u0442\u0438\u0432\u0438\u0440\u0430\u0458\u0443 QR \u043a\u043e\u0434 \u0441\u0430 \u0442\u0430\u0431\u0430\u043a\u0430 \u0438\u0437\u0434\u0430\u045a\u0430 \u043f\u0440\u0438\u0433\u043e\u0434\u043d\u0438\u0445 \u043f\u043e\u0448\u0442\u0430\u043d\u0441\u043a\u0438\u0445 \u043c\u0430\u0440\u0430\u043a\u0430 \u201e60 \u0433\u043e\u0434\u0438\u043d\u0430 \u043e\u0434 \u041f\u0440\u0432\u0435 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u0458\u0435 \u041f\u043e\u043a\u0440\u0435\u0442\u0430 \u043d\u0435\u0441\u0432\u0440\u0441\u0442\u0430\u043d\u0438\u0445 \u2013 \u0411\u0435\u043e\u0433\u0440\u0430\u0434 1961. \u0433\u043e\u0434\u0438\u043d\u0435\u201d. \u041d\u0430 \u0441\u0442\u0440\u0430\u043d\u0438\u0446\u0438 \u0441\u0435 \u0442\u0440\u0435\u043d\u0443\u0442\u043d\u043e \u043d\u0430\u043b\u0430\u0437\u0435 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0435 \u0435\u043a\u0441\u043f\u043e\u043d\u0430\u0442\u0430 [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"inline_featured_image":false,"pgc_sgb_lightbox_settings":"","footnotes":""},"class_list":["post-5050","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - 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